Uwe Boll in Vancouver: A 'Postal' Review
I'll come right out and say
it: I'd never seen a film of Uwe Boll's. The German
director's career took off (for better or worse) with
House of
the Dead, an '03 adaptation of the 90s light-gun
arcade game. Since then he's been the go-to man for
mid-profile video game adaptations, with films
including 'Alone in the Dark' and the 'BloodRayne'
series. My game-to-film watching days ended at
Jean Claude as Guile. And after HoTD's
universally scathing reviews, Boll's work sealed a
spot on my list of films to avoid. The guys been dubbed
the Ed Wood of our generation... he prefers to call
himself "the
only fucking genius" of our generation.
So why was I jumping at the chance to see his newest film 'Postal' when Only announced the sneak preview? Well, 'cause the thing about Uwe Boll is that he makes statements like the above. By Hollywood standards he's batshit insane; the apex of Uwe-chaos reached during his boxing-ring takedown of five internet critics (you may have heard about it, as it happened " target="_blank">here in Vancouver) and subsequent challenges to Michael Bay. After a quick IMDB search, I found out that 'Postal' is Uwe's satirical take on post-9/11 America; staring Dave Foley ('Kids in the Hall', 'Newsradio'), opening with the collapse of the WTC, and boycotted in the States. Um, yes please.
So, although the girlfriend and I were prepared for anything as we stood outside of Granville 7 on Thursday, we were still left pretty damn speechless at the sight of a giant walking penis (photos below), passing out promotional pictures of Osama & Bush holding hands. Soon enough the Only magazine reps showed up to fill us in on the fact that Uwe Boll himself would there for a Q&A. All the raving, politically-incorrect Germanic juice after the jump...
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